Performing Arts

Performing Arts (40)

 

Jun 09 2017

Review: When We Were Young and Unafraid

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Theatre
Review
The play When We Were Young and Unafraid is sort of a local legend. Originally a smaller project workshopped in Ojai, it was eventually produced off-Broadway in 2014. Its author, Sarah Treem has gone on to do television, including writing for Game of Throne, I believe. The play itself is a well-structured, tightly written play set in 1972 about women's issues, featuring four strong women's parts and a token male role. Though set in the 70s it is more relevant today than ever.
Jun 05 2017

Review: Milo's Other Mozart Performance of a Lifetime Comes to Rubicon

The Other Mozart 2
Theatre
Review
 
Beyond Mozart
Milo's Other Mozart Performance of a Lifetime Comes to Rubicon
It is to Karyl Lynn Burns and the Rubicon Theatre's great credit that they have brought Sylvia Milo's truly remarkable performance, The Other Mozart, to Ventura and the Rubicon stage for a limited engagement. This is a very special night of theatre, not to be missed by anyone even remotely interested in seeing a great performance. There is nothing quite like it available anywhere else. Rubicon brings in not only Milo but her entire original production that ran so successfully in New York and London and now tours internationally.
Apr 26 2017

Review: Beached

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Theatre
Review
 
Two Lights at Elite's South Stage
Elite Theatre Company has brought the world premier of Brett Busang’s Two Lights to its South Stage theatre, which is their annex for showing new work, and more experimental productions. Set in the 1950s it is a tight little drama loosely based on the life of Edward Hopper, the great American painter, and his wife, who was also a painter and modeled for her husband.
 
 
 

Jake Mailey (left) as Al and Clayton McLannock as Ed- Photos Credit: Joe Orrego


Apr 25 2017

Review:To Woo Is to Win

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Theatre
Review
 
Santa Paula Theatre Center’s Outside Mullingar and The Elite Theatre Company’s Engaging Shaw
Though profoundly different in virtually every other aspect, the current offering of two 805 theatres, the Santa Paula Theatre Center’s Outside Mullingar and the Elite Theatre’s Engaging Shaw, feature the exact same theme: the long-term wooings of a woman for a remarkably resistant man.
 
 
 
 
 
Jessi May Stevenson (left) as Rosemary, Cecil Sutton as Tony and Rosalee Calvillo as Aoife in the romantic Irish comedy OUTSIDE MULLINGAR by John Patrick Shanley, Photo Credit: Brian Stethem

 
Mar 14 2017

Review: Agnes of God at the Elite

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Theatre
A well-worth seeing production of Agnes of God is currently playing at the Elite theatre in Oxnard. It is the first play in a season of challenging and important plays by the Elite this year. Season tickets are highly recommended.
 
As the play opens, we are given to believe that Agnes is a young woman who has evidently murdered her newborn child while living in a Catholic convent. She seems remarkably and a bit uncannily unhinged and it is up to a court-appointed psychiatrist, Dr Martha Livingstone, with her own Catholic demons to fight, to try and unravel the situation or even decide whether Agnes is sane enough to stand trial. Set as a murder mystery, the play completely upends that genre as it unfolds as a three-way psychological wrestling match between Dr. Livingstone, Agnes, and Agnes’s Mother Superior, who is herself not all she at first appears to be.

 
 Photo credit:Joe Orrego
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Review-
Russian American Jews composing an opera about racism in the Deep South circa 1935 featuring a virtually all-black cast? George and Ira Gershwin were considered out of their minds if not outright un-American at the time for such boundary-bending audacity. Their masterpiece, Porgy and Bess, from a libretto by Dubose Heyward based on his novel Porgy was shunned after its initial debut and all but forgotten for decades. In recent years, though, especially since the civil rights movement of the 60’s, the opera has been revived and re-spirited on several occasions using diverse media and genres; recognized at last, as a major American folk opera of unparalleled genius and universal humanitarian message and appeal.
 
 
Photo Credit: David Bazemore

Feb 07 2017

Review: Driving Home: Rubicon Concludes Nibroc Trilogy

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With the wonderful cast and director of the previous installments reprising their roles, the third and last installment of the Nibroc Trilogy, Gulf View Drive, the conclusion to one of the most popular and critically acclaimed projects in Rubicon Theatre history, opened to an energetic and enthusiastic house last night. The play runs through 12 February 2017, and if you missed any of the two previous parts of the trilogy, no worries, this play stands on its own and offers up some first-rate comedy in the process.
 
 
(left) Erik Odom, Faline England, Sharon Sharth and Lily Nicksay star in Gulf View Drive, the final play of the acclaimed Nibroc Trilogy by Arlene Hutton .Performances January 25 – February 12 at Rubicon Theatre Company. Photo credit: Jeanne Tanner
 
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