Erik ReeL - Arts and Culture Contributing Editor at Large

image003Born in Seattle, U.S.A. in 1952. Attended Whitman College, majoring in mathematics; the University of Washington in mathematics, art history and studio art; University of California, Berkeley. Studied art history with Rainer Crone, painting with Jacob Lawrence and Michael Spafford, sumi-e with George Tsutakawa, Chinese brush with Hsai Chen. Wrote on art for Vanguard, ArtExpress, High Performance, ArtWeek, Bellevue Journal-American, Seattle Voice. Seattle Arts Commission Special Task Force for media, and Special Task Force for educational Institutions in the late 70s. Taught art history, color theory, life painting, and design at Seattle Central Community College for 5 years before leaving Seattle in 1984. Current studio is in Ventura, California, north of Los Angeles.
Website URL: http://erikreel.com/
PR 08
 
Theatre
Review
 
Santa Paula Theatre Center is featuring Conor McPherson’s The Birds through July 30th. For those Flying H Theatre fans out there, this is going to look like an old reunion, as most of the principles were also involved with the sadly defunct Flying H Group, now getting together for another round with this fabulous production of McPherson’s play.
 
 
The attacks contine as Diane (Kathleen Bosworth ) and Tierney (Allan Noel) struggle to survive in Conor McPherson's apocalyptic thriller THE BIRDS live on stage from June 23 - July 30 at the Santa Paula Theater Center, Santa Paula, CA.
Photo Credit: Brian Stethem Photography
wwwy 0011
Theatre
Review
The play When We Were Young and Unafraid is sort of a local legend. Originally a smaller project workshopped in Ojai, it was eventually produced off-Broadway in 2014. Its author, Sarah Treem has gone on to do television, including writing for Game of Throne, I believe. The play itself is a well-structured, tightly written play set in 1972 about women's issues, featuring four strong women's parts and a token male role. Though set in the 70s it is more relevant today than ever.
bob privitt manipulations
Art Review
Delightful Bob Privitt Show at the Ventura County Museum
Bob Privitt's solo show, Manipulations, brings another round of Privitt's well-known and delightful assemblages to the Ventura County Museum. Privitt has also had a solo show of his work at the Tool Room gallery at the Bell Arts Center when it was run by the museum. The current show presents a tighter, more closely related group of small sculpture/assemblages. Though color is not usually a key element in assemblage art, this show uses color very effectively to up the intensity of the visual impact to good effect.
 
 
JIMMIE DURHAM MALINCHE intro
 
Art Review
BEYOND THE 805
At the Center of the World
Jimmie Durham at the Hammer Museum Los Angeles
Jimmie Durham: At the Center of the World, a retrospective of Durham's work put together by Hammer's curator Anne Ellegood is not only a superb exhibition, infused with the most marvelously incisive wit and visual cunning, it makes a strong case for considering Durham a major contemporary artist, period, and easily one of the best living American artists, not to mention probably the most important indigenous artist on the planet.
 
The Other Mozart 2
Theatre
Review
 
Beyond Mozart
Milo's Other Mozart Performance of a Lifetime Comes to Rubicon
It is to Karyl Lynn Burns and the Rubicon Theatre's great credit that they have brought Sylvia Milo's truly remarkable performance, The Other Mozart, to Ventura and the Rubicon stage for a limited engagement. This is a very special night of theatre, not to be missed by anyone even remotely interested in seeing a great performance. There is nothing quite like it available anywhere else. Rubicon brings in not only Milo but her entire original production that ran so successfully in New York and London and now tours internationally.
Buenaventura Art Association
Art Review
 
Assembling Assemblage
Buenaventura Arts Association 3D Open Competition
The Buena Ventura Art Association [BAA] is exhibiting its annual 3D Open Competition show through 20 May 2017. This annual exhibition and competition, while it does not draw many of the top sculptors and 3Dartists living and working in the 805, it does draw enough talent to remain one of the more interesting, if not the best, 3D group show in the 805.
 
MULLINGAR5big
Theatre
Review
 
Santa Paula Theatre Center’s Outside Mullingar and The Elite Theatre Company’s Engaging Shaw
Though profoundly different in virtually every other aspect, the current offering of two 805 theatres, the Santa Paula Theatre Center’s Outside Mullingar and the Elite Theatre’s Engaging Shaw, feature the exact same theme: the long-term wooings of a woman for a remarkably resistant man.
 
 
 
 
 
Jessi May Stevenson (left) as Rosemary, Cecil Sutton as Tony and Rosalee Calvillo as Aoife in the romantic Irish comedy OUTSIDE MULLINGAR by John Patrick Shanley, Photo Credit: Brian Stethem

 
P1050730E
Theatre
Review
 
Two Lights at Elite's South Stage
Elite Theatre Company has brought the world premier of Brett Busang’s Two Lights to its South Stage theatre, which is their annex for showing new work, and more experimental productions. Set in the 1950s it is a tight little drama loosely based on the life of Edward Hopper, the great American painter, and his wife, who was also a painter and modeled for her husband.
 
 
 

Jake Mailey (left) as Al and Clayton McLannock as Ed- Photos Credit: Joe Orrego


LeMetro
 
Art Review
BEYOND THE 805
Jean Dubuffet Drawings at the Hammer
The current exhibition of Jean Dubuffet’s drawings at UCLA’s Hammer Museum is the first exhibition of Dubuffet’s drawings of this depth and scope. Consisting of almost 100 works created between 1935 and 1962 it spans Dubuffet’s most creative years, curated by Isabelle Dervaux, Acquavella Curator of Modern and Contemporary Drawings at the Morgan Library and Museum. The Hammer presentation is curated by Connie Butler, chief curator, with Emily Gonzalez-Jarrett, curatorial assistant. Dubuffet is in some ways the most influential and perhaps best French artists since WW II , so this show represents an important addition to the understanding of his work and post-war art history scholarship.
 
EX8059 318 MNA 008 access
 
Art Review
BEYOND THE 805
Moholy-Nagy at LACMA
Every so often a person is able to see the consequences of their current time so clearly, to see the lines of development play out ahead of them, it is as if they can see the future. In such a case it doesn’t seem so much as if they influence those who come after, so much as that they seem to almost live and work in the future. Laszlo Moholy-Nagy was such an artist. Working well over a half-century ago, there are few areas of our visual culture today that have not been touched or anticipated in some way by Moholy-Nagy. God knows what might have happened had he lived long enough to use a computer.
 
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