Mad Gravity, the latest zany comedy presented by Flying H Theatre is set "in a strip mall home" [read modest mid-to lower-middle class suburban California home, aka Flying H's strip mall theatre] that has been altered in a certain manner not to be disclosed here. On opening night it played to a fully engaged, enthusiastic audience typical of the young, hip, and savvy audiences Flying H attracts.
Taylor Kasch, Brenda Evans Photo Credit: Jesse Perez
Flying H Theatre Delivers Hilarious B-Movie Parody in “Women Behind Bars”
VENTURA – After a prodigious beginning--15 full-length plays in its first 20 months,
exploring some of the most provocative theatre of our times--Flying H Theatre jumps
off into a new direction with Tom Eyen’s Women Behind Bars. Eyen’s play is a loose,
full-steam-ahead comedy based on one the most quality-averse, tasteless, and overexploited
genres in world cinema: the women-in-prison B-flick.
A funny-enough concept in itself, but in the hands of Founder and Artistic Director
Taylor Kasch’s direction and a large, able cast, this production is hilarious.
Getting the public to accept a new Christmas play or musical is a difficult task, given that the holiday itself is based on long-standing traditions that are hard to crack. But the creators of The Gift of the Magi, which made its world premiere at the Hillcrest Center for the Arts last night, hope to do just that, and have come a long way since hatching their brainchild a decade ago.
"My faith in him is all he has left," says Leigh Hodges of her husband Tom, an upstanding, respected high school English and drama teacher who has been accused of having an illicit affair with a 15-year-old female drama student. This is the crux of Carey Crim's riveting play, Conviction, which shows how a comfortable life and a happy marriage can be easily destroyed.