Improvisational painting--any improvisational approach to any art--involves considerable personal and aesthetic risk. Risk accompanies each stroke, each mark, each decision, each act of the artist. This exhibition celebrates that risk-taking and the people who support it. This includes the sponsors, two Ventura-based businesses involved with culture and the arts who take risks and support up and coming artists. Risk is so much a part of these businesses that risk-taking is part of their core mission.
At the Museum of Contemporary Art’s booth at Santa Barbara’s “Taste of Milpas” during Hispanic Heritage Month, visitors left with dirt on their hands and cans full of soil. Balloons marked Thai to Mexican restaurants and booths from wineries to art installations up and down Milpas street. Under the Museum’s tent, artist Alejandro Diaz exhibited a hands-on workshop called A Can for All Seasons II.
While many exhibitions usually represent a certain artistic school, a specific era, or a single artist, Degas to Chagall transcends categories, showing comparisons between artists and artistic movements not usually exhibited together.
Edgar Degas, Three Dancers in Yellow Skirts, ca. 1891. Oil on canvas. Michael Armand Hammer and the Armand Hammer Foundation.